The Cultural Heritage of St. Vincent and the Grenadines
Our Cultural Heritage
The cultural heritage of St. Vincent and the Grenadines is a result of the blending over the centuries of the African, Carib, East Indian, Portuguese and European influences. The result is a culture which is uniquely Vincentian.{{more}}
Fishing is also an important aspect of Vincentian culture.
Our cultural heritage is multi-faceted. In this feature, we look at just a few aspects of what makes us uniquely Vincentian.
Food
While our Vincentian cuisine may be similar to that of other Caribbean islands, we have many methods of food preparation which are unique to us. They have developed out of our unique history, agriculture and experiences and tell a story about who we are. Madungo bakes (made from arrowroot) and Ducana are some examples of foods which can be considered our own. Even other âCaribbeanâ foods like Callalou and Boilâin are given a Vincentian flavour when prepared in St. Vincent and the Grenadines. Our National dish is fried Jack fish and roast breadfruit.
Craft
                                                                         Pottery made at the craft centre at Orange Hill by young trainees.
Music
Vincentians have a tradition of music, and music and songs play a role in most aspects of Vincentian life, whether it be work, play, to pass time on a long journey, death or as part of a celebration.
Moonlight games were popular before the advent of electric lighting, and this was a time for the adults in the community to gather for fun and games under the moonlight.
Moonlight, poor manâs lantern
Moonlight show me yo motion
People come from far and near
sound of music in the air
Come and make yoâ motion
And dance in the moonlight telele.
Games like Three White Horses might be played by men. The men made a tight circle and would move three large stones around the circle at ever increasing speeds while singing:
âThree white horses in a stable
Tek dem out an grease
dey nableâ (navel).
If someone loses the rhythm, a stone would come down on a hand and that person would leave the circle quite often for the hospital or clinic.
Both sexes often participated in some games and the songs and movements were sometimes sexually stimulating. Games like âPanâ and âCoopâ allowed some couples to indulge their appetites, if the pan master failed to locate their hiding places.
Other games were pure fun, chasing each other around the ring as the others sang:
I lost my gown on a Saturday night
I found it Sunday morning
I wrote a letter to my wife
I lost it and I found it
Drop Peter drop Peter wouldnât drop
Drop Peter drop Peter wouldnât drop.
This game starts with one person outside the ring with a leather belt in hand. He/she keeps moving around the ring until the chorus says âDrop Peter Dropâ where upon he must drop the belt into a hand held behind the back or on the ground behind a person. The one dropping the belt must run the entire circumference of the circle with the receiver giving chase, if he catches up before he gets into the circle he is beaten until he finds his place.
The making and playing of traditional instruments like the bamboo flute and gru gru palm drums are skills very few Vincentians possess today.
Folk Spirits
Just as the moonlight has given rise to fun and outdoor games, so, too, dark nights lend themselves to âjumbie storiesâ or tales of evil spirits. Among the lead characters in these stories were:
La Diablesse – A pretty lady in a long dress down to her feet. The dress is to hide one foot which is that of a cow. If you invite her to your house or even speak to her, she would take you away and tie you up on an antâs nest or some similar place of suffering or death.
Then there is Loupgarou or Socuyant which sucks the blood of its victim and flies away in a ball of fire. The socuyant is supposed to be an evil person who sheds his/her skin at night when he/she goes looking for victims. If you find the skin and cover it with salt and pepper, the socuyant must get into it before dawn or it will die.
Rounce is another evil character which grunts like a pig and will carry you away if it finds you outside of the house. To defeat the rounce, you must beat it with a stick, and no matter how many blows you strike you must say one; if you go above one, say two – another rounce will appear and do battle with you.
Legend has it that the Rounce, Socuyant, La Diablesse and the devil himself gather on dark nights under the Silk Cotton Tree to converse and to plan their dark deeds.
Local Dialect
âHog say bade in fus mud!â Do you know what that saying means? Can you think of any more sayings? Language is an important part of any culture. Our language is rich with colorful expressions and sayings. Although Standard English is our official language, our local dialects are far more widely spoken. These dialects are a mixture of the âQueenâs Englishâ with French patois, Spanish, African and Carib influences. Our dialect is almost musical, and so is our accent, which many of our visitors appreciate and often try to imitate. Our language is important also because we have a long oral tradition where lessons of life, songs and histories were passed from generation to generation. We must keep these special cultural treasures alive. âWell, tory dey fo talk buh time na dey!â
Big Drum Dance
Hangings/Wakes
Bush medicine
âGo bring some ginger, Iâll boil some tea for the bellyache and give you some baby bush for the cold.â Did you know that before medication became available and affordable, our ancestors used bush medicine, that is plants and herbs to cure all ills? Many of us still use some form of bush medicine today, and, of course, many medicines are made from plants. Rastafarians in particular believe strongly in the use of herbs for healing. Here are a few herbs and their uses: sasparilla and shine bush cool the blood, rock sage tea relaxes you, carilla reduces high blood pressure, physic nut is a laxative and baby bush is for colds. Why not find out about other natural remedies.
Excerpted with permission from the following reports:
Government of St. Vincent and the Grenadines Heritage Tourism Project Coordinatorâs Report – 1996 – Clare Keizer
Report of the Curator / Information Specialist Government of St. Vincent and the Grenadines Heritage Tourism Project 1996- Morrison Baisden
Government of St. Vincent and the Grenadines Heritage Tourism Project Herman the Heritage Man Series – Ayana Hypolite.